Bestseller Hailed as “tremendously entertaining” by The New York Times with over 2,600 five-star Goodreads ratings

Leonardo versus Michelangelo. Mona Lisa versus David.

Stephanie Storey’s Los Angeles Times bestselling debut Oil and Marble brings 16th century Florence and the rivalry between Leonardo Da Vinci and Michelangelo to life. This art historical thriller is currently available in six foreign languages and is in development as a feature film by Pioneer Pictures.

“A fabulous and fun read”
Historical Novel Review

Tremendously entertaining and unapologetic in its artistic license, Oil and Marble will remind an older generation of the pleasures of Irving Stone’s art historical fiction... Storey’s affection for the period is clear. Her narrative instincts are strong and her dialogue sharp.
— Maxwell Carter, The New York Times, 2/26/16
Before I got to the bottom of the first page, I was completely engrossed in Oil and Marble. I especially liked the way Ms. Storey involved all the great names of the early 16th century in the art of politics and the politics of art. This is an eminently readable tale, with the two giants of art giving the story its heart and soul. A fabulous and fun read.
— Monica E. Spence, Historical Novel Review

Watch Stephanie Read from Oil and Marble


Book description

 

In her brilliant debut, Storey brings early 16th-century Florence alive, entering with extraordinary empathy into the minds and souls of two Renaissance masters, creating a stunning art history thriller. From 1501 to 1505, Leonardo da Vinci and Michelangelo Buonarroti both lived and worked in Florence. Leonardo was a charming, handsome fifty year-old at the peak of his career. Michelangelo was a temperamental sculptor in his mid-twenties, desperate to make a name for himself.

Michelangelo is a virtual unknown when he returns to Florence and wins the commission to carve what will become one of the most famous sculptures of all time: David. Even though his impoverished family shuns him for being an artist, he is desperate to support them. Living at the foot of his misshapen block of marble, Michelangelo struggles until the stone finally begins to speak. Working against an impossible deadline, he begins his feverish carving.

Meanwhile, Leonardo's life is falling apart: he loses the hoped-for David commission; he can't seem to finish any project; he is obsessed with his ungainly flying machine; he almost dies in war; his engineering designs disastrously fail; and he is haunted by a woman he has seen in the market--a merchant's wife, whom he is finally commissioned to paint. Her name is Lisa, and she becomes his muse.

Leonardo despises Michelangelo for his youth and lack of sophistication. Michelangelo both loathes and worships Leonardo's genius.

Oil and Marble is the story of their nearly forgotten rivalry.

 
Vividly evoking the turbulent world and ferociously competitive spirit of Renaissance Florence, Stephanie Storey transports the reader to one of the most creative and exciting moments in the history of that remarkable city.
— William E. Wallace, author of Michelangelo: The Artist, the Man and His Times
With every chip of the chisel and stroke of the brush, Stephanie Storey fashions a mesmerizing tale of the envy, ambition, and artistic genius that drove an epic rivalry. Oil and Marble will make readers long for Florence and to see David in the morning light.
— Elizabeth Cobbs, author of Broken Promises: A Civil War Novel, and The Hamilton Affair
The artistic process can be one of self-doubt, struggle, and sheer physical exertion, and Storey depicts the drama here with truth and insight. A rewarding read for art aficionados and fans of historical fiction.
— Booklist